| Catalog Code | DDA-610 |
| Course Title | Digital Arts Practicum |
| Course Credits | 3 |
| Year & Term | Fall 2016 |
| Section | 01 |
| Location & Time | Myrtle Hall, 4E-7, Thursday 2:00pm - 4:50pm |
| Instructor | Michael O'Rourke
|
| Required/Elective | Required for DDA Imaging students; Elective for others |
| Prerequisites | None for DDA Digital Imaging concentrators. Approval of instructor and DDA office for others. |
| Department | Department of Digital Arts |
| Chairperson | Peter Patchen |
| School | School of Art and Design
|
| Instructor's eMail | morourke@pratt.edu |
| Web Site | www.michaelorourke.com |
| Instructor's Office Phone | 718-636-3782 |
| Office Hours | Monday 12:00pm - 1:00pm Tuesday 1:00pm - 2:00pm Thursday 1:30pm-2:00pm |
| Office Location | Myrtle Hall 4W-12 |
| Syllabus Version Date | 9/12/16 |
| Bulletin Description | This course addresses the creation of conceptual work in various media while building a
cohort group among DDA students across disciplines. Students bring their individual
strengths to bear in individual and group studio projects. |
| Detailed Description | This course is designed to explore a variety of approaches to digital art-making, through
lectures, discussions, readings, galleries visits, class presentations, and creative
projects, with the aim of further developing student's conceptual skills and artistic practice. Students will undertake two individual studio projects and three smaller group projects. Each of these projects will be presented in a group critique and revised at least once thereafter. In addition, field trips, brief written assignments, an individual mid-term review, and an oral presentation will be required for the class. The course will culminate in a group exhibition put on by the students at the
end of the semester. |
| Course Goals | The Digital Arts Practicum aims to strengthen each student's conceptual and critical
skills and to help them to act with intention as they advance their individual practice.
Students will develop a toolkit of strategies for approaching future projects both individually and collaboratively. Through lectures, field trips, readings, and class presentations, students
will acquire a greater awareness of artists working in their field and of the resources New
York City offers digital arts practitioners. Finally, students will gain a first-hand
understanding of what mounting an exhibition entails. |
| Student Learning Objectives |
• Students will be able to move beyond their accustomed working methods and media and ideas and experiment with new approaches to their artmaking. • Students will be able to apply the strategies discussed in critiques to revisions of their studio projects. • Students will be able to articulate their process and the ideas behind their work in a written artist statement. • Students will be able to revise and to refine a project so that their final versions is exhibition quality. • Students will be able to organize and hang a final show of their work. |
| Course Requirements | Attendance If you miss a session, you are 100% responsible for finding out what you missed and making it up. Artwork Projects Exhibition Papers Critical Essay: The first will be a critical essay in which, students describe the experience of viewing three different artworks we visited during our field trip, and compare and contrast each artist's approach. In their essay, students should discuss the effect and efficacy of these pieces and make suggestions for improvements where they see fit. Time permitting, students, with the approval of the instructor, may make an optional presentation to the class of their critical essay material. Artist Statement: In the second half of the semester, students will be asked to write a set of artist statements, which verbally describes their artwork and process. Students are encouraged to use a wide variety of approaches to writing (examples will be provided), to describe the interests, motivations, ideas, materials, and techniques behind their pieces. Revisions: All projects will be required to be revised at least once after they have been presented in a critique. Revisions for projects completed during the first half of the semester will be submitted to the professor prior to the mid-term review. The second set of revisions will be due a week prior to the end of the term. Pieces included in the class exhibition will be reworked more than once. Students are strongly encouraged to include a third revision of each of their projects on their final course documentation flash drive Guest Lectures Gallery Visits Blogs Each student will create a blog page for this course and will keep their blog page up to date with samples of their research, thoughts, tests, work in progress, and reactions to lectures and gallery visits. This blog page is important, as it will serve as a record of your day-to-day and week-to-week progress. Blog pages will be accessible to all students in the class. It serves both to allow me to follow your progress and as a way for you to get feedback from other students in the class. Your blog page for this course must be separate from other blogs you may have. It can be embedded within an existing blog, but it must have a separate link so that we can easily access your entries that are specific to this course. Your blog page should not have a password. |
| Course Schedule |
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| WEEK 1 Aug. 25 |
Course description Lecture: Mimesis Homework: |
| WEEK 2 Sept. 1 |
View & discuss readings, blog entries, homework Homework: |
| WEEK 3 Sept. 8 |
View & discuss readings, blog entries, homework In-class studio time to work on team project#1 Homework: |
| WEEK 4 Sept. 15 |
Team Project #1 due. Critiques of team projects Lecture: Modernism Homework: |
| WEEK 5 Sept. 22 |
View & discuss readings, blog entries, homework Homework: |
| WEEK 6 Sept. 29 |
Discuss artworks researched Studio work on team project#2 Homework: |
| WEEK 7 Oct. 6 |
Team Project #2 due. Critiques of team projects Lecture: Introduction to Post-Modernism Homework: |
| WEEK 8 Oct. 13 |
Group critique of Individual Project in progress Lecture: More on Post-Modernism Homework: |
| WEEK 9 Oct. 20 |
Discuss blog entries on research artworks Lecture: Yet more on Post-Modernism Homework: |
| WEEK 10 Oct. 27 |
Field Trip: New Museum, Pipilotti Rist: Pixel Forest Homework: |
| WEEK 11 Nov. 3 |
Group discussion: Pipilotti Rist exhibition Individiual discussions with instructor: Homework: |
| WEEK 12 Nov. 10 |
Mini-Project #3 due. Group critiques of projects Proposal for Practicum Exhibition due Individual work on: Homework: |
| WEEK 13 Nov. 17 |
Discussion of "Digital Era" artworks Individual work on: Homework: |
| Nov. 24 | (No class, Thanksgiving Break.) |
| WEEK 14 Dec. 1 |
Install Practicum Exhibtion Homework: |
| WEEK 15 Dec. 8 |
Individual Project due |
| Dec. 8 | No class, Pratt Studio/Exam week
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| Textbooks, Readings, & Materials | Readings You will also be asked to read about and independently research certain topics. This can be done either online or through physical media (e.g, the Pratt Library). You are encouraged to consult the critical paradigms material I have posted on my Pratt website to help you with your research and readings. Password for the diagram is morpratt. Students will be responsible for procuring whatever physical materials they need for their artwork projects. |
| Assessment & Grading | Grading will be based on the originality, visual sophistication, conceptual depth, technical skill, and timely completion of projects. For team projects, the individual student's grade will be based both on the quality of the team project and on his/her individual contribution to that project. The weighting of grades for this course is as follows: Team projects_______________30% (10% each) All assignments must be handed in on the due date. If you have not finished your work or as much as you had intended, you should hand in whatever you have finished up to that point. Your work will be graded based on whatever portion you have handed in as of the due date. Please note that technical problems, lab problems, or being “really busy” do not constitute an excuse for unfinished work. Such issues are part of life and life with computers, and you should assume they will occur. It is your responsibility to schedule your time and your work to allow for this sort of problem and still get your work done well and on time. See this link for Pratt's official guidelines for Grading. Given that graduate students must keep an overall GPA of 3.0 (B), this can be interpreted as follows: A = Extremely good work |
| Course Policies | File Storage |
| Institute Policies |
STUDENTS WITH LEARNING ISSUES If you have a significant learning issue or disability, you are strongly encouraged to work with the Offiice of Disability Services (Main Bldg, Tel: 718 636 3711). Through them you can get guidance and support and request special accomodations if appropriate. You are also very strongly encouraged to notifiy your instructor if you have a special learning difficulty, as we cannot help you or make accomodations unless we know what your situation is. CLASSROOM ASSIGNMENTS It is Pratt Institute policy that work done in one class cannot be submitted to fulfill assignments in another class. It is very possible to do work that overlaps or is closely related in two different courses, but you cannot fulfill two assignment requirements with one piece of work. If you have any questions, discuss the issue with all the instructors involved before proceeding. ACADEMIC INTEGRITY (The following is copied from the Pratt Institute
website.)
For more details about these procedures please see the Pratt Student Handbook, the Pratt Bulletins, and the pamphlet entitled Judicial Procedures at Pratt. CHEATING If students use dishonest methods to fulfill course requirements, they are cheating. Examples of this include, but are not limited to:
PLAGIARISM Plagiarism is a bit more complicated, but the rules of documentation and citation are very specific and are tailored to different academic disciplines. Types of plagiarism include:
Please remember that all work must be the student's own. If it is not, the source should be cited and documented appropriately. If there are aspects of this statement that are not understood, ask faculty members for help.
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